O Canada (1970), Joyce Wieland
To make this print, Wieland put on greasy lipstick and pressed her lips onto a clean lithography stone, forming the syllables of the Canadian national anthem. The piece plays with ideas of feminism and nationalism. The “O” in the title is repeated in the shape of the lips, suggesting both fervent patriotism and a kind of eroticism.
It’s not that I can’t fall in love. It’s really that I can’t help falling in love with too many things all at once. So, you must understand why I can’t distinguish between what’s platonic and what isn’t, because it’s all too much and not enough at the same time.
—Jack Kerouac (via madtolivee)
How are you even real?
Photo by Douglas Grundy, Charm Photography Magazine, 1955